June 21

Seventh son of Johann Sebastian Bach, he spent most of his career in Bückeburg. Composed symphonies, chamber music, and keyboard works blending Baroque and early Classical styles. His music was admired for its melodic charm and elegant structures. He performed as a court harpsichordist and contributed to the cultural life of his time. Though overshadowed by his brothers, his works enjoy renewed interest among Baroque enthusiasts.

Studied classical sculpture techniques and produced monuments for public spaces. Beauvallet's illustrations appeared in literary and historical publications. He exhibited at the Paris Salon and gained recognition for his refined style. His sculptures often depicted mythological and allegorical subjects. He influenced a generation of French artists in the late 18th and early 19th centuries.

Born in 1786 in Dublin, Horn trained as a singer and made his debut in London's Italian opera scene. He gained fame for his tenor performances at the King's Theatre and Covent Garden. Horn composed a range of vocal works, including the well-known ballad 'Cherry Ripe' and several light operas. He toured extensively across the United Kingdom and the United States, helping to popularize opera and art song among wider audiences. His music was celebrated for its memorable melodies and expressive charm. Later in life, he taught voice and compiled musical anthologies. He died in 1849, remembered as a versatile artist of the early 19th century.

Born in 1805 in Germany, Curschmann trained as a vocalist and composer in Halle and Berlin. He performed widely as a baritone, earning acclaim for his rich tone and expressive delivery. His compositions, primarily lieder and choral pieces, featured Romantic melodies and poetic text settings. Curschmann collaborated with contemporary poets to create songs that appealed to both amateur and professional musicians. His work contributed to the flourishing of German art song in the early 19th century. Despite his untimely death in 1841, his music continued to be performed and admired for its emotional resonance.

Paweł Bryliński (1814–1890) was a master Polish sculptor celebrated for his detailed wooden carvings of religious scenes and local folk themes. Working across rural parishes, he crafted altarpieces, statues, and devotional objects that reflected regional styles. His sculptures are noted for their expressive forms, fine craftsmanship, and vibrant portrayal of spiritual narratives. Bryliński helped preserve traditional carving techniques and inspired a revival of interest in Polish folk art. Today, his works remain valued cultural treasures in churches and museums throughout Poland.

Enrico Coleman (1846-1911) was an Italian painter celebrated for his evocative landscapes of the Roman countryside. He specialized in capturing natural light and atmospheric effects in pastoral settings. Coleman's work was exhibited widely across Italy, where he became respected for his technical skill and attention to detail. His paintings portray the serene beauty and subtle moods of rural scenes. Coleman influenced fellow artists with his dedication to realism infused with poetic sensibility. His legacy endures in collections that value 19th-century Italian landscape art.

Giuseppe De Sanctis (1858-1924) was an Italian painter renowned for his vibrant portraits and scenes of everyday life. Trained in Naples, he exhibited at major Italian exhibitions, including the Venice Biennale. His work features a lively palette and dramatic use of light and shadow. De Sanctis also taught painting, mentoring emerging artists and influencing early 20th-century Italian art. His compositions blend realism with romantic flair, capturing the character of his subjects. Today, his paintings are held in museums and private collections as exemplars of turn-of-the-century Italian painting.

Medardo Rosso (1858-1928) was an Italian sculptor celebrated for his innovative approach to form and surface that anticipated modernist sculpture. Rejecting traditional marble carving, he experimented with wax and plaster to create fluid, fleeting impressions of light and movement. Rosso's works, such as his 'Ecce Puer' series, emphasized texture and the interplay of shadow, influencing artists like Rodin and the Expressionists. He exhibited widely across Europe, garnering acclaim in Paris and London. As an educator and mentor, Rosso inspired avant-garde movements and challenged the conventions of academic sculpture. His legacy endures in 20th-century art history as a precursor to abstraction.

Born in Pittsburgh, Tanner studied at the Pennsylvania Academy of the Fine Arts under Thomas Eakins. He later moved to France, where he gained acclaim for works such as The Banjo Lesson and The Annunciation. Tanner's use of light and color reflected both Realist and Impressionist influences. He was the first African-American artist to exhibit at the Paris Salon and to win international awards. His paintings challenged racial stereotypes and opened doors for future generations of artists. Tanner's legacy endures in museums and collections worldwide.

Born in Prenzlau, Germany, Bluemner trained as an architect before emigrating to the United States in 1892. He worked as an illustrator for publications such as American Architect and Review of Reviews. Around 1910, he shifted to painting, developing a unique style combining Expressionism and Precisionism. His vibrant depictions of factories, bridges, and urban scenes captured America's industrial era. Bluemner exhibited at groups like the Society of Independent Artists in New York. Despite struggles with financial success, his work gained posthumous recognition in major museums.

Julio Ruelas emerged as a leading figure in Mexico's Modernismo movement, creating haunting drawings and paintings that fused symbolism with Art Nouveau aesthetics. Born in Zacatecas, he studied art in Europe before returning to Mexico, where his illustrations graced literary magazines. His work often explored themes of death, eroticism, and the supernatural, capturing the imagination of his contemporaries. Ruelas's bold use of line and shadow influenced later Mexican muralists and graphic artists. Despite his untimely death in 1907, his visionary style left a lasting mark on Mexican art history.

Natalia Goncharova emerged as a leader of the Russian avant-garde, co-founding the Rayonist movement with Mikhail Larionov. Her bold use of color and form appeared in paintings, theatrical costumes, and church fresco designs. Collaborating with Sergei Diaghilev's Ballets Russes, she created innovative stage costumes that revolutionized performance art. After emigrating to Paris in 1915, she continued to exhibit widely and influenced European modernism. Her multidisciplinary work bridged painting, printmaking, and fashion, leaving a lasting legacy in 20th-century art. Goncharova's adventurous spirit and experimental style defined her career until her death in 1962.