July 28

Marie Dressler was a charismatic Canadian-American performer who captivated audiences with her comedic talent and singing voice. She began her career on the stage before transitioning to silent films and early talkies. Dressler's larger-than-life screen presence and warmth endeared her to the public during Hollywood's Golden Age. She won the Academy Award for Best Actress for her role in "Min and Bill", showcasing her dramatic range. Her success broke barriers for character actresses and paved the way for future generations of women in film.

Helen Traubel was an American soprano best known for her rich, dramatic interpretations of Wagnerian roles at the Metropolitan Opera from the 1930s to the 1950s. She achieved acclaim singing Isolde, Brünnhilde, and other demanding parts, earning her a reputation as "America's greatest Wagnerian soprano." After retiring from opera, Traubel transitioned to radio, television, and musical theater, delighting audiences nationwide. She also authored an autobiography and became a popular guest on talk shows. Traubel’s commanding stage presence and vocal power left a lasting mark on both classical and popular entertainment. Her career bridged the worlds of opera and mainstream media, inspiring future generations of performers.

Maggie Gripenberg was a Finnish dancer and choreographer regarded as a pioneer of modern dance in Finland. Trained in Dalcroze eurhythmics in Switzerland, she returned home to develop a unique expressive dance style. Gripenberg founded her own dance school and company, creating groundbreaking choreographies inspired by Nordic themes. She collaborated with composers and visual artists to stage avant-garde performances. Over her six-decade career, she influenced generations of Finnish dancers and helped establish dance as a respected art form in her country. Her legacy endures in Finnish ballet and contemporary dance through her innovative approach to movement and music.

Jill Esmond (1908–1990) was a celebrated English actress whose career spanned West End theatre and Hollywood films. She made her stage debut in 1923 and rose to prominence in Noël Coward productions. Esmond transitioned to film in the early 1930s, appearing in Cavalcade and Wuthering Heights. In 1930, she married Laurence Olivier, with whom she shared the screen before their divorce in 1940. After returning to Britain, she continued to perform on stage and screen, including television roles. Esmond is remembered for her poised presence and contributions to early cinema.

Sulev Nõmmik (1931–1992) was a prominent figure in Estonian entertainment, recognized for his versatile talents as an actor, comedian, writer, and director. He rose to fame with radio and television comedy sketches that became cultural landmarks. Nõmmik directed several stage productions and feature films, blending humor with sharp social commentary. His works played a key role in shaping Estonian comedy during the Soviet era. He is remembered for his warm comedic style and enduring influence on Estonia's performing arts.

Rosalie Crutchley (1920–1997) developed her craft with Shakespearean productions before transitioning to film, where she appeared in horror classics like Island of Terror and acclaimed dramas such as The Elephant Man. On television, she delivered a memorable performance as Catherine de' Medici in the BBC series The Six Wives of Henry VIII, showcasing her ability to bring historical figures to life. Crutchley also took on supporting roles in series like Colditz and Danger UXB, demonstrating versatility across genres. Her disciplined approach to character work earned her respect in British acting circles. Crutchley's legacy endures through her varied body of work and lasting influence on stage and screen.

Lenny McLean (1949–1998) rose from London's East End to become Britain's most feared bare-knuckle fighter, earning the nickname The Guv'nor. He parlayed his fighting fame into acting roles in films like Lock, Stock and Two Smoking Barrels and Snatch, where his tough persona added authenticity to British crime cinema. McLean recounted his life in his best-selling autobiography, offering a raw account of the underground fight world and personal struggles. His life story inspired the film The Guv'nor, further cementing his status as a cult figure. McLean's blend of raw charisma, brutal skill, and candid storytelling left a unique mark on British popular culture.

Born in 1932 in Los Angeles, Eileen Brennan studied drama at Georgetown University before embarking on a career in theater, film, and television. She earned an Academy Award nomination for her role in Private Benjamin (1980) and won a Golden Globe for Clue (1985). Brennan’s stage work included Tony-nominated performances in musicals such as Woman of the Year. She was admired for her timing, vocal talent, and memorable supporting characters. Brennan passed away in 2013 after a battle with cancer.

Born in 1928 in Preston, Lancashire, Bernard Cribbins began his entertainment career in the 1950s with comic songs that topped the charts. He transitioned to acting, starring in classic films like 'The Railway Children' and appearing in numerous television series. Cribbins lent his voice to beloved children's programs such as 'The Wombles' and various 'Doctor Who' audio stories, endearing him to audiences of all ages. His warm presence and comedic timing earned him an OBE for services to drama and entertainment. Cribbins continued performing on stage and screen into his 90s, showcasing his versatility across genres. He passed away in 2022, leaving a body of work that spans over seven decades and countless cultural icons.

Born in Scotland in 1931, John Anderson began his career as a dedicated teacher and coach, inspiring countless students and athletes. His talent for connecting with people led him to television, where he became a familiar face hosting educational and sports-related programs. Known for his warm demeanor and encouraging style, he engaged audiences of all ages with his authentic approach. Throughout his career, he balanced his on-screen work with a commitment to mentoring youth, often returning to schools and clubs. Anderson’s unique fusion of education and entertainment earned him respect in both fields and left a lasting legacy in Scottish broadcasting.